It is important for me to sense the boundaries of the figurative space created by the cyclical movement in the invisible air of the work which they can not be exactly put a finger on. And I think that it is a criterion which can allow me to differently perceive inside and outside all sorts of things.
As I have worked so far, it is thought that I have perceived the boundaries of the inside and outside of the work. Especially my outdoor work entitled (about ㅁ2) was created with an experimental attitude outside building so as to make the meaning of ' ㅁ ' wider as follows. I put the sound of my actions into four speakers standing on the stage made of cement. I could extend the scope of work space that I was able to be because outdoors had no physical walls like general exhibition halls. It was like the vastness of the forest that I felt when I heard the sound of running water at the small stream in the woods. And I could notice that this sound flowed through the speakers reached its maximum point, so to speak, the end point of acoustic intensity which was figurative space called ' ㅁ '. In fact, ' ㅁ ' in the open air was more mysterious because it made me perceive the atmosphere including warm sunshine, clear blue sky, brilliant starlight and beautiful bird song.